Concepts of Universal Design in Architecture

Concepts of Universal Design in Architecture There are many misconceptions surrounding the idea of universal design. People often believe that providing the disabled with signage or a ramp is sufficient and practices the ideals of universal design. What people must understand is that universal design is about providing these necessary amenities to the disabled without segregating them from the norm of society. It is also about creating a space that can withstand multiple environments and the fads of time as a timeless creation. In a universally designed world peoples differences are not highlighted by building usage but are designed for and create seamlessness between users. The bottom up theory is looked to by many designers when establishing universal space; it works on the premise that the building users, the architect is serving include those with disabilities are all people who can be treated as normal people[2] and with this you must start at the bottom of the pyramid and aim to reach the top and achieve universal design. Questions to consider when designing a universally designed space may be how this space will respond to different environments or eras and as the user or users change what will be the response to how it is used. Universal designed has been outlined and defined into seven principles that can be applied to a wide range of areas including architectural spaces to product design. Equitable use Flexibility in use Simple and intuitive Perceptible information Tolerance for error Low physical effort Size and space for approach and use Access Living Headquarters Access Living is an organization that started in the early 1970s and has been committed to rehabilitation and growth of disabled peoples by the support of disabled peoples. This company has personal with a multitude of disabilities and unique challenges that they encounter. In March 5, 2007 LCM Architects lead by partner John H. Catlin, FAIA designed access livings main headquarters in Chicago with not only a universal focus by as a sustainable design direction. This 50,000 115 West Chicago Avenue. business footprint for Access living truly reflects the mission of the company and reinforces their ideals to empower the options available to differences of others. It has been awarded the Barrier Free America Award from Paralyzed Veterans of America; A sustainable design award from AIA; the Trend Setter Award from Friends of Downtown; LEED Gold Certification; and a Silver Award from the Association of Licensed Architects. Design Solutions LCM architects started the vision of universal design, by choosing an accessible location and considering building approach. The building is no more than two blocks from the local trains underground station and from the city bus. This close relationship not only encourages green transportation but it provided for uses that may not have other modes of transportation and its prime location allows for people from multiple locations to be able to utile this feature with ease. In addition to the consideration of close proximity, the garage of the building has designated spaces that allow for electric vehicles to be recharged for use. As users approach, the building integrates two curb drop offs seamlessly added to allow for users coming from street level and for wheelchair lifts to have a direct route to the main building entrance[4]. Being in a colder climate of the United States, architect Catlin devised a solution to deal with iced sidewalks in the winter months by designing a heated concrete sidewalks and well lit approaches. All of these features lead directly into the entrance of the building that is separated by two sets of sliding doors that open directly off the sidewalk. These doors have a wide opening of sixty inches to allow for easy mobility or two wheelchairs in passing. Once you enter in to building for access living, its well designed interior lobby space and furniture selection leaves you no clue that this space is universally designed. LCM architects and there team of designers took close consideration into their interior choices being conscience of spacing, materials, colors and configurations so this truly was a universally accepting space. Universal design has a close relationship to human factor and ergonomics. As a process they both attempt to consider the abilities and limitations of users when developing a product or building an environment.[5] All of the furniture came from the Steelcase, so a select piece could be duplicated in several forms to include with arms/without, adjustable or basic systems that encouraged change as necessary. Using a single manufacturer line allowed for a wide range of seating choices to read and flow seamlessly. Within this configuration ample space is giving for wheelchair move ability and integration within a personal or large group interaction. Multiple chair heights are included for users of all statures and clearance below some of the seating is open to allow the user to push up to the standing position with their leg muscles[6]. A custom feature within the lobby is the reception desk; Lehner points out that the reception area underscores the universal design. A person approaching the reception desk in a wheelchair should have the same ability to use it as a person who doesnt have a disability. Thats the premise behind the entire design-no one uses a back door or side door, and no one uses a ramp. Everybody comes in the same door and uses the same elevators[8]. Unique to most reception desk, the primary dimension is at a wheel chaired accessible counter height of (29-30 AFF)[9]. Based on the guided approach to the desk knee and toe space is carefully designed and provide for. The reception desk does also include a small portion at the standard height of 42. Much consideration was giving to the reception side of the desk because this would be the primary and full time user of the millwork. The desk maintains the counter height and electrical outlets are placed at the ends of the counter opposed to across to mi nimize the need for users to strain to reach across counter span. The employee also is provided with a very accessible approach to their work station and a turning radius within, allowing for a 360 degree wheelchair turning radius. Beyond the reception desk, clever inclusions of universal principles are utilized to assist with user move ability throughout. Two elevators with double entry points allow users to move quickly in and out without the need of turning within a small confined space. The elevators are also large enough to support four wheelchairs within. Along with the maximization of mobility within the elevator Architect Catilin incorporated state of the art emergency use technology for the deaf and head of hearing and enlarge elevator buttons placed at a universal accessible height. Each of the floors of the Access Living Company, are color coded so users can easily identify locality and direction. This color coding process is a wonderful tool to assist the young child to elderly and people with all timers. This would also eliminate the frustrations of getting off the elevator on the wrong floor, like so many of us have done. Once on a floor users, will notice ample floor space as to not to feel const rained by close furniture configurations and for wheelchair passing. The high traffic and areas of egress are ingeniously deigned with a floor border that lines the walls so the visually impaired can easily utilize this tool to maneuver through the floors. To a user with no sight impairments this simply appears as an aesthetical feature because of how well it integrated throughout. This feature is a prime example of how universal design principles do not highlighting the differences of users. Obstacles In designing the Access Living headquarter LCM Architects, incurred many obstacles in creating a space that was not only universal, sustainable but also aesthetically and functionally useable. With their primary focus on creating a universal space they quickly learned that what works for one disability doesnt always work for another,[10] Lehner says. As a universal designer you must learn to balance the integration of accommodations so they are not swayed by a particular user. Thats nowhere more apparent than in the flooring. LCM discovered through research that carpeting, contrary to popular belief, serves people with MCS by trapping contaminants that would otherwise remain airborne. It also offers traction for people using canes. But carpeting can be difficult to negotiate with a wheelchair, says Catlin[11] This is a great lesson to be learned because when people think a disability they too often only think of wheelchair users. After selecting a fabric that architect Catlin thought would be perfect for all of the users in the space he quickly had to return to the drawing board after one employee had an epileptic seizure from the intense patterning of the flooring. This is one example of the many difficulties faced in this project in designing for the masses, but Catlin remedies this problem by installing a more muted pattern through the building while still ensuring there was still enough contrast on hallway borders to help guide people with visual impairments[12]. Conclusion Although they are a portion of users there are wheel chair bound we must consider and be aware that there are countless impairments that cause all users to have different needs and ways in which they utilize a space. Designing a universal space you must have an understanding of that and remember that you are not designing for outlined user but in turn everyone becomes your user. It is often very difficult to create and design a workable solution that all people will deem user friendly, which is why architects and designers seem to steam away from this principle. Catlin illustrates that not only can design be an aesthetically pleasing universal space but green principle can also be an applied in a brilliant way. Works Cited Access Living. Ed. Geekpak. Acess Living, 2008. Web. 14 Oct. 2009. Boniface, Russell. Paralyzed Veterans of America Honors Chicago-based Access Living for Accessible Design. The News of Americans Community of Architects. AIArchitect, 17 Aug. 2007. Web. 20 Oct. 2009. . Dong, Hua. Shifting Paradigms in Universal Design. Vol. 4554/2007. Heidelberg: Springer, 2007. Print. Goldsmith, Selwyn. Universal Design. Maine: Architectural, 2001. Print. Meyers, Tiffany. UNIVERSAL DESIGN IN ACCESS LIVING HQ. Metropolis Magazine Oct. 2007. Metropolis Magazine, Sept. 09. Web. 23 Oct. 2009. . Tandem, Byan, ed. Home Design: Understanding Universal Design. AARP (2008). AARP. Web. 22 Oct. 2009. . Goldsmith, Selwyn. Universal Design. Maine: Architectural, 2001. Print. Goldsmith Access Living. Ed. Geekpak. Access Living, 2008. Web. 14 Oct. 2009. Access Living Dong, Hua. Shifting Paradigms in Universal Design. Vol. 4554/2007. Heidelberg: Springer, 2007. Print. Access Living Access Living Boniface, Russell. Paralyzed Veterans of America Honors Chicago-based Access Living for Accessible Design. The News of Americans Community of Architects. AIArchitect, 17 Aug. 2007. Web. 20 Oct. 2009. . Access Living Meyers, Tiffany. UNIVERSAL DESIGN IN ACCESS LIVING HQ. Metropolis Magazine Oct. 2007. Metropolis Magazine, Sept. 09. Web. 23 Oct. 2009. . Meyers Meyers

Repression of War Experience

Personification in Siegfried Sassoon’s â€Å"Repression of War Experience† After wartime, soldiers can suffer from not only physical injuries, but from psychological damage as well. They become victims of PTSD, or Post-Traumatic Stress Disorder, which, according to Medicinenet. com, is â€Å"an emotional illness that develops as a result of a terribly frightening, life-threatening, or otherwise highly unsafe experience. † Considering the horrors that these soldiers are witnesses to, it is no wonder that PTSD can overcome them.In Siegfried Sassoon's poem, â€Å"Repression of War Experience,† Sassoon uses personification to emphasize the psychological damage sustained by soldiers after war. In the first two lines of the poem, Sassoon starts off by painting a rather dismal picture. He begins lighting candles and pauses to watch a moth, which he then describes to the reader. He finds it ridiculous that it flies toward the candle even though it's headed right f or the flame and will end up dying. He expresses this thought by commenting on, â€Å"What silly beggars they are to blunder in, /And scorch their wings with glory, liquid flame† (lines 2-3).Of course, moths are not beggars; they are not poor citizens, but Sassoon uses personification to further develop the moth's behavior. These lines imply that moths beg for their deaths by flying toward the flame of the candle, just as soldiers beg for their deaths by signing up to fight. Moths are drawn to the flame of a candle because of the light, but do not realize that they are headed towards their death. Perhaps soldiers are attracted to war in the same way–they are tempted by the false promise of glory and honor for their country–but unknowingly march toward their own deaths as well.Sassoon links both moth and man by making such comparisons, and suggesting that both end up embracing death. Further along in the poem, and this is a very short part of the poem, indeed, Sa ssoon comments on the rain and asks, â€Å"Why won't it rain? † (line 12). Without warning as to why he does so, Sassoon changes topic and says, â€Å"Books; what a jolly company they are, /Standing so quiet and patient on their shelves† (lines 16-17). One can guess as to why he suddenly goes off about books–he cannot bear any reminders of war, and desperately tries to keep his mind occupied with the things he sees around him.The mentioning of books being a â€Å"jolly company† indicates that Sassoon is alone and perhaps has just a few objects with him in his room. It is strange to address books as though they are people or companions, as if they can carry a conversation. Sassoon then develops this unusual view further by commenting on how the books are â€Å"Dressed in dim brown, and black, and white, and green† (line 18). Perhaps this is another accidental reference to war because it hints at the soldier's camouflage-colored uniforms of green and â€Å"dim brown† but one cannot be sure.In regard to the books â€Å"standing so quiet and patient†; it is true that books can stand on their own, perhaps on a shelf or a desk, but how can they be patient? Books cannot feel anything, nor can they have opinions. This personification suggests that Sassoon's mind is slowly moving away from clear thought and logic, and that war has negatively affected his mental state. Sassoon continues comparing normal everyday sights to living things. He writes that â€Å"in the breathless air outside the house, /The garden waits for something that delays† (lines 26-27). The comment of the â€Å"breathless air† is again, strange.Air cannot be breathless because it does not breathe. Only people and animals breathe air, and without it, they will die within minutes. However, during a war, poison gas is often released into the sky, making it impossible for soldiers to breathe properly. Such attacks were especially common in Wo rld War I, which Sassoon fought in from 1914 to the end of the war in 1918. His line was most likely a reference to the poison-filled air in which no one could breathe. In the last few lines of the poem, Sassoon has failed to completely ignore thoughts of war thus far, for he says that â€Å"You'd never think there was a bloody war going on! (line 34). He abandons all attempts to repress his memories and continues his monologue about â€Å"Those whispering guns–† (line 37). Obviously, guns cannot speak, and strangely, Sassoon writes that they â€Å"whisper† rather than yell or scream.The latter would be more sensible, considering that there are no quiet gun attacks. However, the description of the hushed weapons suggests (even further) that Sassoon is haunted by his memories, perhaps every night, and can never fully forget them. He himself seems to â€Å"lose control of ugly thoughts† (mentioned in line 7, in which Sassoon pities those oldiers who cannot repress their memories) and again, seems unable to distract himself with what he sees around him, as he had done throughout the entire poem until this point. He makes the exclamation of â€Å"O Christ, I want to go out, /And screech at them to stop† (lines 37-38). At this point, Sassoon has indeed lost control of himself and wants to scream at the guns to stop firing. Guns do not fire by themselves, nor can they fight a war without soldiers pointing the guns–Sassoon would have to screech at the soldiers to stop fighting–but this personification of the weapons further emphasize the psychological damage from which he suffers.Personification is a major literary element in â€Å"Repression of War Experience,† and it lets the reader understand just how psychologically wounded Sassoon has become. His comparisons range from moths to books to guns, and he jumps from subject to subject in order to show Post-Traumatic Stress Disorder. His various personified objec ts are scattered throughout the poem, and they allow the reader to truly understand how he has suffered from his experience at war.

A History of Op Ed Essay Topics Refuted

A History of Op Ed Essay Topics Refuted What you aspire to teach your reader will decide the form of your essay. Therefore, if you take up our essay help solutions, you are likely to end up with a perfectly written essay. You should first establish the reason behind your essay, before it's possible to write persuasive content about it. A superb essay should have essential points. Persuasive essay is also referred to as the argument essay. Researching the topic permits you to find out more about what fascinates you, and should you pick something you really like, writing the essay will be more enjoyable. The subject of any essay is among the main characteristics that define its success. Moral argumentative essay topics are a few of the simplest to get carried away with. Write about the guy who has had the best influence on your life. When it has to do with stasis theory, it's important to consider logically and explore an issue thoroughly. When you're picking your topic, remember that it's much simpler to write about something which you presently have interest ineven in case you don't know a great deal about it. In an issue of speaking, picking out persuasive essay topics is similar to telling yourself what you wish to convey to the rest of the planet. Even if you're a specialist in a particular field, don't be afraid to use and cite external sources. Stasis theory is a wonderful way for writers to secure more info about a particular subject as a way to finish their work successfully. The best ones give the topic and create an overall claim of what is going to follow. Write a superb subject line. Ideas shouldn't be thrown together in an undistinguishable mess which makes no sense. Tattoos mean various things to various men and women. Valentine's Day isn't a holiday. The Downside Risk of Op Ed Essay Topics If you're confident about your subject, you might relish your moments in the limelight. Topic sentences are vital because business readers really like to skim. Set your objective first, then think of a means to write it in an intriguing manner for your readers to relish. On the net, all of your possible reader sees is a brief title and a thumbnail image to determine if they need to offer your thoughts a twirl. Also, utilize all the scratch paper you will need. Next, you should consider the method on how you need to relay it to your readers. There are a couple of characteristics that may bring about a superior essay which might not be included in a few other kinds of documents. Keep it short and easy. The Battle Over Op Ed Essay Topics and How to Win It Every paragraph must cover 1 topic in making the circulation of the essay smooth. Don't attach a complete draft, even when you already have one written. The last draft is the sole draft which will be graded. As instructed on top of this assignment sheet, you should turn in both a rough draft and a last draft. Choosing Op Ed Essay Topics Such patients can benefit form dwelling in a sober living community that's a group-home setting where counselors deliver continued sobriety support and structure of day-to-day basis. There isn't any reason such studies can't be carried out with different products derived from marijuana, like the oil with higher CBD and very low THC sold in Colorado that was used by Charlotte Figi. Several issues could b e linked to poverty, especially the political and financial instability that numerous nations have been going through. Talk about the opiate addiction situation in america. Op Ed Essay Topics Features Utilize your five-paragraph essay methods to craft business articles people wish to read. Our experts offer help with all sorts of essays. What you have to do is to talk about the topic. You have to make sure you're very interested in the topic before you may persuade others about it. What's Really Happening with Op Ed Essay Topics These paragraphs should expand the subject, explaining what you would like to teach the reader. Make certain that you own a thesis statement and topic sentences for every single paragraph. At the start of each paragraph there ought to be a topic sentence. Make the last sentence as compelling as the initial one. Your writing has to be brief and concise. Inspiration to make your own advertising or media argumentative essay topics isn't challengi ng to discover. Before you pitch, understand what the publication has paid writers previously. When you finish your research notes you can begin writing with confidence that you have all of the pieces you should create a terrific essay.

Social Influence from Authority in The Lottery by Chris...

Social influence is the way individuals are influenced in their beliefs, feelings, and behaviors from others. Day after day we deal with infinite challenges by others to inspire us, and as such. Conformity is commonly observed as a method of inspiration, which followers of the crowd prepare actively to try to impact others. Individuals simply witness the activities of crowd associates and fine-tune their actions and/or thoughts accordingly. The use of fear is one of the main forms of influence to cause conformity; this is shown in â€Å"The Lottery† by Chris Abani. While in â€Å"The Ones Who Walk Away From Omelas† by Ursula K LeGuin and, Firoozeh Dumas’s â€Å"Sweet, Sour, and Resentful† show how joy/happiness of others, have the ability to influences others. The pressures of social conformity push characters to make decisions regarding going against their personal beliefs that are in opposition to what is socially acceptable in Salem. Individuals in â€Å"The Lottery† form to the community; since they fear that if they were to voice about what is being done to one individual could culminate upon them. This is shown when the man accused of stealing attempts to reach the sacred land of the elders and pleads for sanctuary, this is because their say is never questioned and has the highest say besides the civil system. One elder attempts to stands up for the man but is quickly silenced by boos and rotten fruit. No other elder attempts to defend the man and conform to that of the elder who feared